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Reckoning
ReckoningReckoning
Square folio, 8.25 x 8.25 inches. Epigraph printed with an excerpt from “Airplane” by Haruki Murakami.
Ink jet printed in fugitive (non-pigment) dye on newsprint. 26 pages with one image per spread printed on recto only, and allowed to bleed through on verso, 12 images total.
Recycled pulpboard covers, screenprinted in black acrylic with three different images. Hand-cut and scored, assembled, and stapled.
100 copies, the entire edition, numbered and unsigned on colophon.
Published in September 2005 for an exhibition at Andrew Roth Gallery in New York, Reckoning is a limited edition handmade artist’s book. Similar to the poster made for the same exhibition, its format as a printed object, physical and contingent, instantiates many of the motifs in the photographs.
Reckoning
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Square folio, 8.25 x 8.25 inches. Epigraph printed with an excerpt from “Airplane” by Haruki Murakami.
Ink jet printed in fugitive (non-pigment) dye on newsprint. 26 pages with one image per spread printed on recto only, and allowed to bleed through on verso, 12 images total. Recycled pulpboard covers, screenprinted in black acrylic with three different images. Hand-cut and scored, assembled, and stapled.
100 copies, the entire edition, numbered and unsigned on colophon.
Ink jet printed in fugitive (non-pigment) dye on newsprint. 26 pages with one image per spread printed on recto only, and allowed to bleed through on verso, 12 images total. Recycled pulpboard covers, screenprinted in black acrylic with three different images. Hand-cut and scored, assembled, and stapled.
100 copies, the entire edition, numbered and unsigned on colophon.
Reckoning
Close
Square folio, 8.25 x 8.25 inches. Epigraph printed with an excerpt from “Airplane” by Haruki Murakami.
Ink jet printed in fugitive (non-pigment) dye on newsprint. 26 pages with one image per spread printed on recto only, and allowed to bleed through on verso, 12 images total. Recycled pulpboard covers, screenprinted in black acrylic with three different images. Hand-cut and scored, assembled, and stapled.
100 copies, the entire edition, numbered and unsigned on colophon.
Ink jet printed in fugitive (non-pigment) dye on newsprint. 26 pages with one image per spread printed on recto only, and allowed to bleed through on verso, 12 images total. Recycled pulpboard covers, screenprinted in black acrylic with three different images. Hand-cut and scored, assembled, and stapled.
100 copies, the entire edition, numbered and unsigned on colophon.
Reckoning
Close
Square folio, 8.25 x 8.25 inches. Epigraph printed with an excerpt from “Airplane” by Haruki Murakami.
Ink jet printed in fugitive (non-pigment) dye on newsprint. 26 pages with one image per spread printed on recto only, and allowed to bleed through on verso, 12 images total. Recycled pulpboard covers, screenprinted in black acrylic with three different images. Hand-cut and scored, assembled, and stapled.
100 copies, the entire edition, numbered and unsigned on colophon.
Ink jet printed in fugitive (non-pigment) dye on newsprint. 26 pages with one image per spread printed on recto only, and allowed to bleed through on verso, 12 images total. Recycled pulpboard covers, screenprinted in black acrylic with three different images. Hand-cut and scored, assembled, and stapled.
100 copies, the entire edition, numbered and unsigned on colophon.
Reckoning
Close
Square folio, 8.25 x 8.25 inches. Epigraph printed with an excerpt from “Airplane” by Haruki Murakami.
Ink jet printed in fugitive (non-pigment) dye on newsprint. 26 pages with one image per spread printed on recto only, and allowed to bleed through on verso, 12 images total. Recycled pulpboard covers, screenprinted in black acrylic with three different images. Hand-cut and scored, assembled, and stapled.
100 copies, the entire edition, numbered and unsigned on colophon.
Ink jet printed in fugitive (non-pigment) dye on newsprint. 26 pages with one image per spread printed on recto only, and allowed to bleed through on verso, 12 images total. Recycled pulpboard covers, screenprinted in black acrylic with three different images. Hand-cut and scored, assembled, and stapled.
100 copies, the entire edition, numbered and unsigned on colophon.
Reckoning
Close
Square folio, 8.25 x 8.25 inches. Epigraph printed with an excerpt from “Airplane” by Haruki Murakami.
Ink jet printed in fugitive (non-pigment) dye on newsprint. 26 pages with one image per spread printed on recto only, and allowed to bleed through on verso, 12 images total. Recycled pulpboard covers, screenprinted in black acrylic with three different images. Hand-cut and scored, assembled, and stapled.
100 copies, the entire edition, numbered and unsigned on colophon.
Ink jet printed in fugitive (non-pigment) dye on newsprint. 26 pages with one image per spread printed on recto only, and allowed to bleed through on verso, 12 images total. Recycled pulpboard covers, screenprinted in black acrylic with three different images. Hand-cut and scored, assembled, and stapled.
100 copies, the entire edition, numbered and unsigned on colophon.
Reckoning
Close
Square folio, 8.25 x 8.25 inches. Epigraph printed with an excerpt from “Airplane” by Haruki Murakami.
Ink jet printed in fugitive (non-pigment) dye on newsprint. 26 pages with one image per spread printed on recto only, and allowed to bleed through on verso, 12 images total. Recycled pulpboard covers, screenprinted in black acrylic with three different images. Hand-cut and scored, assembled, and stapled.
100 copies, the entire edition, numbered and unsigned on colophon.
Ink jet printed in fugitive (non-pigment) dye on newsprint. 26 pages with one image per spread printed on recto only, and allowed to bleed through on verso, 12 images total. Recycled pulpboard covers, screenprinted in black acrylic with three different images. Hand-cut and scored, assembled, and stapled.
100 copies, the entire edition, numbered and unsigned on colophon.
Reckoning
Close
Square folio, 8.25 x 8.25 inches. Epigraph printed with an excerpt from “Airplane” by Haruki Murakami.
Ink jet printed in fugitive (non-pigment) dye on newsprint. 26 pages with one image per spread printed on recto only, and allowed to bleed through on verso, 12 images total. Recycled pulpboard covers, screenprinted in black acrylic with three different images. Hand-cut and scored, assembled, and stapled.
100 copies, the entire edition, numbered and unsigned on colophon.
Ink jet printed in fugitive (non-pigment) dye on newsprint. 26 pages with one image per spread printed on recto only, and allowed to bleed through on verso, 12 images total. Recycled pulpboard covers, screenprinted in black acrylic with three different images. Hand-cut and scored, assembled, and stapled.
100 copies, the entire edition, numbered and unsigned on colophon.
Reckoning
Close
Square folio, 8.25 x 8.25 inches. Epigraph printed with an excerpt from “Airplane” by Haruki Murakami.
Ink jet printed in fugitive (non-pigment) dye on newsprint. 26 pages with one image per spread printed on recto only, and allowed to bleed through on verso, 12 images total. Recycled pulpboard covers, screenprinted in black acrylic with three different images. Hand-cut and scored, assembled, and stapled.
100 copies, the entire edition, numbered and unsigned on colophon.
Ink jet printed in fugitive (non-pigment) dye on newsprint. 26 pages with one image per spread printed on recto only, and allowed to bleed through on verso, 12 images total. Recycled pulpboard covers, screenprinted in black acrylic with three different images. Hand-cut and scored, assembled, and stapled.
100 copies, the entire edition, numbered and unsigned on colophon.
Reckoning
Close
Square folio, 8.25 x 8.25 inches. Epigraph printed with an excerpt from “Airplane” by Haruki Murakami.
Ink jet printed in fugitive (non-pigment) dye on newsprint. 26 pages with one image per spread printed on recto only, and allowed to bleed through on verso, 12 images total. Recycled pulpboard covers, screenprinted in black acrylic with three different images. Hand-cut and scored, assembled, and stapled.
100 copies, the entire edition, numbered and unsigned on colophon.
Ink jet printed in fugitive (non-pigment) dye on newsprint. 26 pages with one image per spread printed on recto only, and allowed to bleed through on verso, 12 images total. Recycled pulpboard covers, screenprinted in black acrylic with three different images. Hand-cut and scored, assembled, and stapled.
100 copies, the entire edition, numbered and unsigned on colophon.
Reckoning
Close
Square folio, 8.25 x 8.25 inches. Epigraph printed with an excerpt from “Airplane” by Haruki Murakami.
Ink jet printed in fugitive (non-pigment) dye on newsprint. 26 pages with one image per spread printed on recto only, and allowed to bleed through on verso, 12 images total. Recycled pulpboard covers, screenprinted in black acrylic with three different images. Hand-cut and scored, assembled, and stapled.
100 copies, the entire edition, numbered and unsigned on colophon.
Ink jet printed in fugitive (non-pigment) dye on newsprint. 26 pages with one image per spread printed on recto only, and allowed to bleed through on verso, 12 images total. Recycled pulpboard covers, screenprinted in black acrylic with three different images. Hand-cut and scored, assembled, and stapled.
100 copies, the entire edition, numbered and unsigned on colophon.
Reckoning
Close
Square folio, 8.25 x 8.25 inches. Epigraph printed with an excerpt from “Airplane” by Haruki Murakami.
Ink jet printed in fugitive (non-pigment) dye on newsprint. 26 pages with one image per spread printed on recto only, and allowed to bleed through on verso, 12 images total. Recycled pulpboard covers, screenprinted in black acrylic with three different images. Hand-cut and scored, assembled, and stapled.
100 copies, the entire edition, numbered and unsigned on colophon.
Ink jet printed in fugitive (non-pigment) dye on newsprint. 26 pages with one image per spread printed on recto only, and allowed to bleed through on verso, 12 images total. Recycled pulpboard covers, screenprinted in black acrylic with three different images. Hand-cut and scored, assembled, and stapled.
100 copies, the entire edition, numbered and unsigned on colophon.
Reckoning
Close
Square folio, 8.25 x 8.25 inches. Epigraph printed with an excerpt from “Airplane” by Haruki Murakami.
Ink jet printed in fugitive (non-pigment) dye on newsprint. 26 pages with one image per spread printed on recto only, and allowed to bleed through on verso, 12 images total. Recycled pulpboard covers, screenprinted in black acrylic with three different images. Hand-cut and scored, assembled, and stapled.
100 copies, the entire edition, numbered and unsigned on colophon.
Ink jet printed in fugitive (non-pigment) dye on newsprint. 26 pages with one image per spread printed on recto only, and allowed to bleed through on verso, 12 images total. Recycled pulpboard covers, screenprinted in black acrylic with three different images. Hand-cut and scored, assembled, and stapled.
100 copies, the entire edition, numbered and unsigned on colophon.
Reckoning
Close
Square folio, 8.25 x 8.25 inches. Epigraph printed with an excerpt from “Airplane” by Haruki Murakami.
Ink jet printed in fugitive (non-pigment) dye on newsprint. 26 pages with one image per spread printed on recto only, and allowed to bleed through on verso, 12 images total. Recycled pulpboard covers, screenprinted in black acrylic with three different images. Hand-cut and scored, assembled, and stapled.
100 copies, the entire edition, numbered and unsigned on colophon.
Ink jet printed in fugitive (non-pigment) dye on newsprint. 26 pages with one image per spread printed on recto only, and allowed to bleed through on verso, 12 images total. Recycled pulpboard covers, screenprinted in black acrylic with three different images. Hand-cut and scored, assembled, and stapled.
100 copies, the entire edition, numbered and unsigned on colophon.
Reckoning
Close
Square folio, 8.25 x 8.25 inches. Epigraph printed with an excerpt from “Airplane” by Haruki Murakami.
Ink jet printed in fugitive (non-pigment) dye on newsprint. 26 pages with one image per spread printed on recto only, and allowed to bleed through on verso, 12 images total. Recycled pulpboard covers, screenprinted in black acrylic with three different images. Hand-cut and scored, assembled, and stapled.
100 copies, the entire edition, numbered and unsigned on colophon.
Ink jet printed in fugitive (non-pigment) dye on newsprint. 26 pages with one image per spread printed on recto only, and allowed to bleed through on verso, 12 images total. Recycled pulpboard covers, screenprinted in black acrylic with three different images. Hand-cut and scored, assembled, and stapled.
100 copies, the entire edition, numbered and unsigned on colophon.
Reckoning
Close
Square folio, 8.25 x 8.25 inches. Epigraph printed with an excerpt from “Airplane” by Haruki Murakami.
Ink jet printed in fugitive (non-pigment) dye on newsprint. 26 pages with one image per spread printed on recto only, and allowed to bleed through on verso, 12 images total. Recycled pulpboard covers, screenprinted in black acrylic with three different images. Hand-cut and scored, assembled, and stapled.
100 copies, the entire edition, numbered and unsigned on colophon.
Ink jet printed in fugitive (non-pigment) dye on newsprint. 26 pages with one image per spread printed on recto only, and allowed to bleed through on verso, 12 images total. Recycled pulpboard covers, screenprinted in black acrylic with three different images. Hand-cut and scored, assembled, and stapled.
100 copies, the entire edition, numbered and unsigned on colophon.
Reckoning
Close
Square folio, 8.25 x 8.25 inches. Epigraph printed with an excerpt from “Airplane” by Haruki Murakami.
Ink jet printed in fugitive (non-pigment) dye on newsprint. 26 pages with one image per spread printed on recto only, and allowed to bleed through on verso, 12 images total. Recycled pulpboard covers, screenprinted in black acrylic with three different images. Hand-cut and scored, assembled, and stapled.
100 copies, the entire edition, numbered and unsigned on colophon.
Ink jet printed in fugitive (non-pigment) dye on newsprint. 26 pages with one image per spread printed on recto only, and allowed to bleed through on verso, 12 images total. Recycled pulpboard covers, screenprinted in black acrylic with three different images. Hand-cut and scored, assembled, and stapled.
100 copies, the entire edition, numbered and unsigned on colophon.
Reckoning
Close
Square folio, 8.25 x 8.25 inches. Epigraph printed with an excerpt from “Airplane” by Haruki Murakami.
Ink jet printed in fugitive (non-pigment) dye on newsprint. 26 pages with one image per spread printed on recto only, and allowed to bleed through on verso, 12 images total. Recycled pulpboard covers, screenprinted in black acrylic with three different images. Hand-cut and scored, assembled, and stapled.
100 copies, the entire edition, numbered and unsigned on colophon.
Ink jet printed in fugitive (non-pigment) dye on newsprint. 26 pages with one image per spread printed on recto only, and allowed to bleed through on verso, 12 images total. Recycled pulpboard covers, screenprinted in black acrylic with three different images. Hand-cut and scored, assembled, and stapled.
100 copies, the entire edition, numbered and unsigned on colophon.
Reckoning
Close
Square folio, 8.25 x 8.25 inches. Epigraph printed with an excerpt from “Airplane” by Haruki Murakami.
Ink jet printed in fugitive (non-pigment) dye on newsprint. 26 pages with one image per spread printed on recto only, and allowed to bleed through on verso, 12 images total. Recycled pulpboard covers, screenprinted in black acrylic with three different images. Hand-cut and scored, assembled, and stapled.
100 copies, the entire edition, numbered and unsigned on colophon.
Ink jet printed in fugitive (non-pigment) dye on newsprint. 26 pages with one image per spread printed on recto only, and allowed to bleed through on verso, 12 images total. Recycled pulpboard covers, screenprinted in black acrylic with three different images. Hand-cut and scored, assembled, and stapled.
100 copies, the entire edition, numbered and unsigned on colophon.